Midas Dl16 Stage Box

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Midas dl16 stage box. Midas dl16 stage box with midas mic pres digital mixing has revolutionized virtually everything in the live entertainment production work flow and now that same cutting edge technology brings live production signal distribution into the modern age. The dl16 stage box provides 16 of award winning microphone preamplifiers with switchable 48 v phantom power. You may however make a one time permanent transfer of all of your license rights to the software to another end user in connection with the transfer of ownership of your product provided that. Plus connectivity for your adat compatible outboard equipment.

Closing the gap between stage and front of house the midas dl16 is a 16 in 8 out stage box that includes 16 fully programmable and remotely controllable midas mic preamps which are the same preamps found in the larger pro series consoles and are equipped with switchable 48v phantom power. And thanks to its high headroom low noise and adat optical digital outputs the dl16 also servers as an excellent studio preamp. Eight balanced analog xlr returns at the stage end. I the transfer must include your product and all of the software.

Additionally the dl16 features 8 electronically balanced low impedance line level outputs as all of. Midas dl16 16 input 8 output stage box with 16 midas microphone preamplifiers ultranet and adat interfaces. Or just call us now 888 890 6222. An integrated ultranet output for connecting to behringer p16 m personal monitor mixers.

The midas dl16 stage box puts 16 of these highly esteemed microphone preamplifiers in a 2u rack so you can put them onstage as close to the performers as possible so you can cut down on long cable runs. And thanks to its high headroom low noise and adat optical digital outputs the dl32 also servers as an excellent studio preamp. The dl16 stage box provides 16 of our award winning microphone preamplifiers with switchable 48. The midas dl32 stage box puts 32 of these highly esteemed microphone preamplifiers in a 3u rack so you can put them onstage as close to the performers as possible so you can cut down on long cable runs.